Downtown Batterie

Professional Session Drummer & Music Producer


I recommend Tony without hesitation for any session, any style!

Paul Taylor (Alice Cooper, Steve Perry, Winger, Cinderella, Tommy Shaw)

Nashville studio drummer, Tony Morra, is a chameleon of sorts: Gigs on top pop, country, and Christian albums with artists ranging from Jennifer Paige to Rachel Farris to Steve B, as well as his contributions to the Heavy Mental Discrete Drums library require him to deliver clean, tight drum tracks that are appropriate for any mix.

In addition to playing in some of the top studios in Music City, Morra also has a list of e-clients who send him their tracks so he can lay down drums in his studio.

[Excerpt from Mix Magazine article – January 2005]



Tony currently lives in beautiful Franklin, Tennessee, a suburb 15 minutes south of one of the most storied cities for recording music in the Modern Era! Now how is it that this Italian New York City native made his way down to Music City USA you may ask? Well, the story is one of hard work, faith, determination and some might say… destiny!

Tony’s career may have begun before he even was born! You see Tony’s families were all musicians. His great grandfather, Joseph Morra, was the “Town” musician back in Panni, Italy. Now the Morra family back then in Italy was not the typical model of the families of today where you have 2.5 kids, a house, and a dog. You see there were 14 in the Morra brood, 13 brothers and one sister! All the siblings played an instrument, and Tony’s grandfather, Faustino, was the drummer of the mighty musical family. Faust and the rest of the family made their way to the States back in the early 1900s. They arrived in the country to perform operas from overseas. Tony recalls his grandfather telling of how they toured the States back in the day. He would call off each state with his poor worn fingers and beautiful Italian accent!


The Music Gene was passed to each son and daughter of that generation of Morras! Tony’s dad, Joe, kept the family tradition going and gravitated to the drums! Born in 1929, Tony’s dad grew up in an era where Jazz and Big Band Swing were King. Having grown up in this atmosphere, you can say Tony was saturated with music from the earliest of ages. Music of all kinds! The house was blaring with either Benny Goodman, Miles Davis, Bach, Mozart, and of course, The Beatles and the popular music of the day. No genre was discouraged!

Story has it that although the Morra family passed on the musical genetics, it was Tony’s Mom who launched his drumming career. You see, back then the family laundry room was in the basement. Now along with the laundry room was a finished basement with a mint 1938 Slingerland Radio King Drum set! Not too shabby. So when “Mommy” was doing the laundry, she would encourage the 2-year-old “Anthony” to play Daddy’s drums. This way she would know where he was at all times.

Mom would put on her records and “Anthony” would have at it! It was about a year later that Mommy could tell that the banging was starting to make sense. At that point, there was no turning back. Where other children at the time were playing with GI Joes and Tonka trucks, Tony much preferred to stand behind the drums and play music by The Beatles, Frankie Valli, and the Four Seasons (standard issue if you were Italian and lived in NY), and one of Tony’s all-time favorites, Tom Jones!!!

As the years went on Tony “grew” into the drum set! The natural ability was there but needed to be cultivated. Tony’s grandfather would tap out rhythms and write them out. Tony’s dad would sit with him and guide him through the rudiments of drumming.


Tony’s Musical Education came from many sources and LPs. At the age of 9, he was already out gigging with dad. There were times when contractors would call and book dad and ask if “Little Anthony” could come and “sit-in” as a little showpiece. He recalls 2 songs he played all the time, “Watermelon Man” and “Sonny”. He would even get a solo! WOW!

As Tony matured as a person and a musician, he studied with independent drum instructors Joe Cusatis and Hank Jaramillo. He also studied at the Brooklyn Conservatory of Music and a short stint at Queens College’s Aaron Copeland School of Music. Tony will tell you that a formal education in music is something all musicians need to pursue. BUT the real education is out there! Playing music, experiencing it first hand outside the classroom.

Tony started to land gigs with up-and-coming artists in NYC. He performed at New York City’s most storied venues, CBGBs, The Bitter End, The China Club, The Kat Club and so many more that have since come and gone. Performing and “hanging out” at these clubs forged relationships with many other great NYC musicians, which led to more serious artist gigs and recording dates.

Tony is not to let the technology of the day creep by him. In the new era of drum machines, many “hemmed and hawed” at the new technology. Not Tony, he saw this as an opportunity to break into even more markets. He invested in an Emulator SP-12 sampling drum machine and was soon one of NYC’s top call “Drum Programmers”!

Because of his extensive knowledge of the “new electronic era,” Tony started to get offers to tour with some top R & B artists. The marriage of live drums and electronics was one of Tony’s specialties and was utilized by the pop singing trio “Sweet Sensation”. Sweet Sensation had 5 Top Ten hits during Tony’s tenure with them including the Number 1 hit “If Wishes Came True”. This led to work with 90’s R&B vocalist Stevie B. “Sweet” was opening for Stevie, and when that tour was over, Stevie approached Tony and asked if he would move to LA and join his band. Nothing like moving to a new place with a gig, so Tony loaded up the truck and moved west!

Stevie B had huge success with a track called “The Postman Song” (Because I Love You). The track went straight to Number 1 and stayed on the charts for almost a year!

Tony shared the stage with the likes of Michael Bolton, MC Hammer, Wilson Phillips, C & C Music Factory, New Kids On The Block, Amy Grant, and many of the pop acts of the time. It was a fast and furious time. In between the hectic touring, Stevie would take time to track his new record. This would lead to Tony having the opportunity to work with legendary songwriter Diane Warren. Having spent time with Diane in the studio and socially, Tony remarks on how and what goes into creating a hit song. “It’s more than just playing drums. It’s knowing the lyrics, the mood of the song, what the artist is wanting to say, and support that to the point of being out of the way!”

After Tony’s time in LA, he returned back to his home in NY. This incredible journey home led him to the next phase of his life, marriage! On returning home, Tony was re-acquainted with his grammar school sweetheart! Tony & Laurie were engaged to be married 5 months after this reunion! At This point in Tony’s life, his faith in the Lord was deepening.

Life had slowed down a bit, and after all those years of traveling at light speed, he was taking time to focus on the spiritual side of his life. Tony’s wife had been attending a prayer group back in their hometown in Queens. It was an amazing retreat from the “life on the road,” a great time to reflect and really find out who he was and to refocus. Little did Tony and Laurie know that this would bring them to a new place. Literally! That new place for them was Nashville, Tennessee.

The prayer group’s “sound man” was road/business manager Stephen Connolly. Stephen was currently working with long-time friend and artist Kathy Troccoli (Everything Changes ’93). Kathy was looking for a drummer for her current touring schedule. Tony had been playing with the Worship team and Stephen asked if he would be available to cover a gig for “KTs” current drummer. Tony agreed, but little did he know he would be playing a “Live Television” broadcast going out to 75 nations around the world. Oh yeah, by the way, there’s one rehearsal! WHAT!

Downtown Batterie
Downtown Batterie
Downtown Batterie